New York Film Festival 2018: Home to Experimental Works with Star Performances

Nick Pinkerton about Segunda Vez: “It’s a rough-edged and rather oblique movie, though once viewed you feel you have absorbed something crucial and almost tactile about the character of Masotta, the artistic and political climate in Argentina in the years before the Dirty War, the occlusion of history through the distance of years and miles and the dreary, quotidian aspects of authoritarian rule, something that couldn’t be conveyed in a whole heap of fact-driven information-dump documentaries. ”